The Tegwyn Awards are made annually to recognise the full range of production, acting and technical achievements of members of MTC. They are named in honour of the late life member Sydney Tegwyn Jones.
| 1999 | |||
| BEST PRODUCTION | A View from the Bridge | ||
| BEST DIRECTOR | Eryl Lowe – No Names, No Pack Drill | ||
| BEST ACTRESS | Barbara Stewart – Daylight Saving | ||
| BEST ACTOR | Geoff Arnold – A View from the Bridge | ||
| BEST SUPPORTING ACTRESS | Donna Cohen – A View from the Bridge | ||
| BEST SUPPORTING ACTOR | Peter Kostopoulos – Lend Me A Tenor | ||
| BEST SET | Martin Gibbs – No Names, No Pack Drill | ||
| BEST SOUND | Neil Barnett – Lend Me A Tenor | ||
| BEST LIGHTING | Stellios Karagiannis – The Venetian Twins | ||
| BEST COSTUMES | Jane Barrett – Lend Me A Tenor | ||
| ADJUDICATOR’S AWARDS | Ian Lowe – contributions to Venetian Twins | ||
| Lizzie Garnsworthy – contributions to LMAT and TVT | |||
| 2000 | |||
| BEST PRODUCTION | A Voyage Round My Father | ||
| BEST DIRECTOR | Judy Corderoy – A Voyage Round My Father | ||
| BEST ACTRESS | Judy Johnson – Time of My Life | ||
| Juliet Hayday – A Voyage Round My Father | |||
| BEST ACTOR | Clive Hearn – A Voyage Round My Father | ||
| BEST SUPPORTING ACTRESS | Judy Corderoy – Straight And Narrow | ||
| BEST SUPPORTING ACTOR | Martin Gibbs – Run For Your Wife | ||
| BEST SET | Neil Barnett – Voyage Round My Father | ||
| BEST SOUND | Tahlia Lowe & Graeme Moore | ||
| BEST LIGHTING | Lynne Schloeffel | ||
| BEST COSTUMES | Eryl Lowe – A Voyage Round My Father | ||
| BEST STAGE MANAGEMENT | A Voyage Round My Father | ||
| 2001 | |||
| BEST PRODUCTION | Secret Bridesmaid’s Business | ||
| BEST DIRECTOR | Martin Gibbs – Secret Bridesmaid’s Business | ||
| BEST ACTRESS | Judy Johnson – It’s My Party… | ||
| BEST ACTOR | Bill McLorinan – It’s My Party… | ||
| BEST SUPPORTING ACTRESS | Clair Nelson – Secret Bridesmaid’s Business | ||
| BEST SUPPORTING ACTOR | Syd Jones – Mort | ||
| BEST SET | Martin Gibbs – Murder on the Nile | ||
| BEST SOUND | Neil Barnett – Murder On The Nile | ||
| BEST LIGHTING | Craig Aiton – Murder on the Nile | ||
| BEST COSTUMES | Jane Barrett – Murder on the Nile | ||
| BEST STAGE MANAGEMENT | David MacLean – It’s My Party… | ||
| 2002 | |||
| BEST PRODUCTION | Sylvia | ||
| BEST DIRECTOR | Martin Gibbs – Sylvia | ||
| BEST ACTRESS | Sallie Yea – Sylvia | ||
| BEST ACTOR | Geoff Arnold – Killing & Chilling my Annabel Lee | ||
| BEST SUPPORTING ACTRESS | Barbara Stewart – Sylvia | ||
| BEST SUPPORTING ACTOR | Neil McColl – Crossing Delancey | ||
| BEST SET | Neil Barnett – Killing & Chilling my Annabel Lee | ||
| BEST SOUND | Corinne Gibbs – Killing & Chilling my Annabel Lee | ||
| BEST LIGHTING | Christine Taylor – Killing & Chilling my Annabel Lee | ||
| BEST COSTUMES | Director and Cast – Crossing Delancey | ||
| BEST STAGE MANAGEMENT | Deborah Roffey – Sylvia | ||
| ADJUDICATORS AWARD | Syd Jones for turning a small role into a scene stealer | ||
| 2003 | |||
| BEST PRODUCTION | Face to Face | ||
| BEST DIRECTOR | Eryl Lowe – Face To Face | ||
| BEST ACTRESS | Gillian Baldwin – Falling From Grace | ||
| BEST ACTOR | Michael Moore – Forget-Me-Knot | ||
| BEST SUPPORTING ACTRESS | Cheyney Caddy – Falling From Grace | ||
| BEST SUPPORTING ACTOR | Zoran Babic – Face To Face | ||
| BEST SET | Martin Gibbs – Playing Sinatra | ||
| BEST SOUND DESIGN | Neil Barnett – Playing Sinatra | ||
| BEST SOUND OPERATOR | Marguerite Riviere – Playing Sinatra | ||
| BEST LIGHTING DESIGN | Max Mander – Playing Sinatra | ||
| BEST LIGHTING OPERATOR | Corinne Gibbs – Falling From Grace | ||
| BEST COSTUMES | Edna Bartlett – A Chorus of Disapproval | ||
| BEST STAGE MANAGEMENT | Vicky Marshall – Falling From Grace | ||
| ADJUDICATORS AWARDS: | |||
| CAMEO ROLE | Barbara Stewart – A Chorus of Disapproval | ||
| ENSEMBLE WORK | Face to Face | ||
| MTC AWARD | Glenn Robinson – Creative contribution | ||
| 2004 | |||
| BEST PRODUCTION | All My Sons | ||
| BEST DIRECTOR | Judy Corderoy – All My Sons | ||
| BEST ACTRESS | Christine Andrew – All My Sons | ||
| BEST ACTOR | Eric Heyes – All My Sons | ||
| BEST SUPPORTING ACTRESS | Eryl Lowe – Laying the Ghost | ||
| Nicola Wright – All My Sons | |||
| BEST SUPPORTING ACTOR | Ralf Beever – The Sum of Us | ||
| Brad Lowrey – The Beauty Queen of Leenane | |||
| Zoran Babic – All My Sons | |||
| BEST ACTOR CAMEO ROLE | Chris Goldby – Sandcastles | ||
| BEST SET | Neil Barnett – All My Sons | ||
| BEST SOUND DESIGN | David McCall – Sandcastles | ||
| BEST LIGHTING DESIGN | Max Mander & Rowan Humphrey – All My Sons | ||
| BEST TECHNICAL OPERATION | Pam Stephens – The Sum of Us | ||
| BEST COSTUMES | Julie Leitz – Sandcastles | ||
| ADJUDICATORS AWARDS | Penny Meallin – stand in – Sandcastles | ||
| Nathan & Ruby LeVaillant-Moffitt – Sandcastles | |||
| PRESIDENTS AWARD | Lynne Schloeffel – Finance Manager | ||
| BOARD OF MANAGEMENT AWARD | Jeannine LeVaillant – Ticket Secretary | ||
| 2005 | |||
| BEST PRODUCTION | You Can’t Take It With You | ||
| BEST DIRECTOR | Barbara Bateman – You Can’t Take It With You | ||
| BEST ACTRESS | Nicola Wright – Sweet Road | ||
| BEST ACTOR | Paris Romanis – Sweet Road | ||
| BEST SUPPORTING ACTRESS | Melanie Rowe –You Can’t Take It With You | ||
| BEST SUPPORTING ACTORS | Ross Mack & Eric Heyes – Sweet Road | ||
| BEST ACTOR CAMEO ROLE | Glenn Robinson – You Can’t Take It With You | ||
| BEST ACTRESS CAMEO ROLE | Mary Kattner – You Can’t Take It With You | ||
| BEST SET | Neil Barnett – You Can’t Take It With You | ||
| BEST SOUND DESIGN | Gerhard Henneman – The Shoe Horn Sonata | ||
| BEST SOUND OPERATOR | Gerhard Henneman – The Shoe Horn Sonata | ||
| BEST LIGHTING DESIGN | Max Mander – You Can’t Take It With You | ||
| BEST LIGHTING OPERATOR | Lynne Schloeffel – You Can’t Take It With You | ||
| BEST COSTUMES | Esther Gross & Judy Crisp – You Can’t Take It With You | ||
| ADJUDICATOR’S AWARD | Lesley Batten & Shirley Hislop – | ||
| Stage Management – You Can’t Take It With You | |||
| PRESIDENTS AWARD | Robyn McRae – Services to Front of House | ||
| GRAHAM HUNTER AWARD | Eryl Lowe & Martin Gibbs | ||
| 2006 | |||
| BEST PRODUCTION | The Crucible | ||
| BEST DIRECTOR | Doug Bennett – The Crucible | ||
| BEST ACTRESS | Kim Hamilton – The Crucible | ||
| BEST ACTOR | Eric Heyes – On Golden Pond | ||
| BEST SUPPORTING ACTRESS | Elise Arnold – The Crucible | ||
| BEST SUPPORTING ACTORS | Glenn Hunt & Tom Travers – The Crucible | ||
| BEST ACTOR CAMEO ROLE | Geoff Arnold – On Golden Pond | ||
| BEST SET | Doug Bennett – The Crucible | ||
| BEST SOUND DESIGN/SPECIAL EFFECTS | Neil Barnett – Funny Money | ||
| BEST SOUND OPERATOR | Corinne Gibbs – Funny Money | ||
| BEST LIGHTING DESIGN | Miles Bennett – The Crucible | ||
| BEST LIGHTING OPERATOR | Jeannine Le Vaillent – The Crucible | ||
| BEST COSTUMES | Eryl Lowe – The Crucible | ||
| STAGE MANAGEMENT AWARD | Martin Gibbs – Lipstick Dreams | ||
| ADJUDICATOR’S AWARDS | Christine Bridge – Funny Money | ||
| Christine Davies – Lipstick Dreams | |||
| Jackson McRae – On Golden Pond | |||
| PRESIDENTS AWARD | Pat Blundell – Services to Front of House | ||
| BOARD OF MANAGEMENT AWARD | Syd Jones (posthumously) | ||
| GRAHAM HUNTER AWARD | Neil Barnett | ||
| 2007 | |||
| BEST PRODUCTION | Doubt, a Parable | ||
| BEST DIRECTOR | Vicki Smith – Doubt, a Parable | ||
| BEST ACTRESS | Deborah McKelvey – Boy Gets Girl | ||
| Juliet Hayday – Doubt, a Parable | |||
| BEST ACTOR | Shane Ryan – Laughter on the 23rd Floor | ||
| BEST SUPPORTING ACTRESS | Nicola Wright – Doubt, a Parable | ||
| BEST SUPPORTING ACTORS | Eric Heyes – Over the River and Through the Woods | ||
| Jeff Saliba – Laughter on the 23rd Floor | |||
| BEST ACTOR CAMEO ROLE | Donna Cohen – Doubt, a Parable | ||
| BEST SET | Vicki Smith & Martin Gibbs – Doubt, a Parable | ||
| BEST SOUND DESIGN | Tim Long – Wicked Sisters | ||
| BEST SOUND OPERATOR | Lorraine Foxall – Wicked Sisters | ||
| BEST LIGHTING DESIGN | Brian McCallum – Doubt, a Parable | ||
| BEST LIGHTING OPERATOR | Kay Davies & Leah Morrison – Boy Gets Girl | ||
| BEST COSTUMES | Lorraine Foxall & Elisabeth Gertner – Laughter on the … | ||
| STAGE MANAGEMENT AWARD | Sheila Balis & Kirsten Page – Over the River … | ||
| ADJUDICATOR’S COMMENDATIONS | Tim Long – Boy Gets Girl | ||
| Eric Heyes, Lorraine Madsen, Ray Horden & | |||
| Annie Bieniek – Over the River and Through the Woods | |||
| Gaetano Santo – Laughter on the 23rd Floor | |||
| GRAHAM HUNTER AWARD | Graeme “Gags” Moore | ||
| 2008 | |||
| BEST PRODUCTION | Journey’s End | ||
| BEST DIRECTOR | Eric Heyes – Journey’s End | ||
| BEST ACTRESS | Lorraine Kindler – The Cemetery Club | ||
| BEST ACTOR | Stephen Shinkfield – Breaking the Code | ||
| BEST SUPPORTING ACTRESS | Annie Bieneik – The Cemetery Club | ||
| BEST SUPPORTING ACTOR | Max Rackham – Breaking the Code | ||
| BEST FEMALE ACTOR IN A CAMEO ROLE | Kirsten Page – The Weekend | ||
| BEST MALE ACTOR IN A CAMEO ROLE | Ralf Beever – Breaking the Code | ||
| BEST SET DESIGN | Martin Gibbs – Journey’s End | ||
| BEST SOUND DESIGN | Tim Long & Ross Mack – Journey’s End | ||
| BEST SOUND OPERATOR | Sheila Balis – Journey’s End | ||
| BEST LIGHTING DESIGN | Leah Morrison – Journey’s End | ||
| BEST LIGHTING OPERATOR | Corinne Gibbs – Journey’s End | ||
| BEST COSTUMES | Juliet Hayday – Journey’s End | ||
| STAGE MANAGEMENT AWARD | Eryl & Keith Lowe & Christine Taylor & | ||
| David Maclean – Journey’s End | |||
| ADJUDICATOR’S COMMENDATIONS | Eryl Lowe – for her contribution to bringing | ||
| The Dinner Game to Mordialloc audiences | |||
| Christine Taylor for her convincing portrayal | |||
| of the elderly afflicted housekeeper in The Weekend | |||
| PRESIDENTS AWARD | Robyn McRae | ||
| GRAHAM HUNTER AWARD | Judy Corderoy | ||
| 2009 | |||
| BEST PRODUCTION | Rabbit Hole | ||
| BEST DIRECTOR | Shane Ryan – Minefields & Miniskirts | ||
| BEST ACTRESS | Kate Bowers – Rabbit Hole | ||
| BEST ACTOR | Ron Kofler – Rabbit Hole | ||
| BEST SUPPORTING ACTRESS | Melissa New – Rabbit Hole | ||
| BEST SUPPORTING ACTOR | Bill McLorinan – Murdered to Death | ||
| BEST ACTOR IN A CAMEO ROLE | Jane Hamilton-Foster – Crimes of the Heart | ||
| BEST SET DESIGN | David Dare – Rabbit Hole | ||
| BEST SOUND DESIGN | Ron Kofler & Vicki Smith – Rabbit Hole | ||
| BEST SOUND OPERATOR | Chris Goldby – Rabbit Hole | ||
| BEST LIGHTING DESIGN | Max Mander – Minefields & Miniskirts | ||
| BEST LIGHTING OPERATOR | Jackie Kosmak – Minefields & Miniskirts | ||
| BEST COSTUMES | Tim Long – ‘Allo, ‘Allo | ||
| STAGE MANAGEMENT AWARD | Kristen Hornby – Minefields & Miniskirts and MTD | ||
| ADJUDICATOR’S AWARD | Toby Wilkins – guitar accompaniment – Minefields & Mini | ||
| The cast of Minefields & Miniskirts for ensemble playing, | |||
| Geoff Arnold for his through the floor performance in ‘A’A’ | |||
| PRESIDENTS AWARD | Not awarded | ||
| GRAHAM HUNTER AWARD | Lillian & Ivan Harris | ||
| 2010 | |||
| BEST PRODUCTION | The Wisdom of Eve | ||
| BEST DIRECTOR | Judy Corderoy – The Wisdom of Eve | ||
| BEST ACTRESS | Janine Evans – The Wisdom of Eve | ||
| BEST ACTOR | Barry Lockett – I Hate Hamlet | ||
| BEST SUPPORTING ACTRESS | Vicki Smith – The Wisdom of Eve | ||
| BEST SUPPORTING ACTOR | Stephen Shinkfield – The Underpants | ||
| BEST FEMALE ACTOR IN A CAMEO ROLE | Annie Bieniek – Chaim’s Love Song & | ||
| Juliet Hayday – I Hate Hamlet | |||
| BEST MALE ACTOR IN A CAMEO ROLE | Tim Long – The Wisdom of Eve | ||
| BEST SET DESIGN | Stephen Shinkfield & Ross Mack – I Hate Hamlet | ||
| BEST SOUND DESIGN | Tim Long & Stephen Shinkfield – I Hate Hamlet | ||
| BEST SOUND OPERATOR | Steven Trevan – Chaim’s Love Song | ||
| BEST LIGHTING DESIGN | Angelo Gianchino – Chaim’s Love Song | ||
| BEST LIGHTING OPERATOR | Stephen Greiger – I Hate Hamlet | ||
| BEST COSTUMES | Eryl Lowe & Jenny van Ginkel – The Wisdom of Eve | ||
| STAGE MANAGEMENT AWARD | Marie Skitt – The Wisdom of Eve | ||
| ADJUDICATOR’S COMMENDATIONS | Dad’s Army – for consistent excellence in set construction | ||
| The beautifully choreographed sword fight in I Hate Hamlet | |||
| The Production Advisory Committee – | |||
| for such a well balanced and varied programme of plays | |||
| PRESIDENTS AWARD | Steven Trevan | ||
| GRAHAM HUNTER AWARD | Austen Dixon | ||
| 2011 | |||
| Special awards due to a curtailed season: | |||
| CONSISTENTLY STRONG PERFORMANCES IN 2011 | Eric Heyes & Rowan Humphrey | ||
| OUTSTANDING CHARACTERIZATION | Leonie Adams – Love Letters | ||
| CLEVER PROGRAMME DESIGN CONCEPT | Martin Gibbs – Dimboola | ||
| EXCELLENCE IN COSTUME COORDINATION | Corinne Gibbs – Dimboola | ||
| CONSIST. HIGH STANDARD OF LIGHTING DESIGNS | Gordon Boyd | ||
| BEST PRODUCTION | Love Letters directed by Judy Corderoy | ||
| 2012 | |||
| BEST PRODUCTION | Moonlight and Magnolias | ||
| BEST DIRECTOR | Gaetano Santo – Moonlight and Magnolias | ||
| BEST ACTRESS | Christine Bridge – Life and Beth | ||
| BEST ACTOR | Stephen Shinkfield – Moonlight and Magnolias | ||
| BEST SUPPORTING ACTRESS | Jennifer Piper – The Heiress | ||
| BEST SUPPORTING ACTOR | David Dodd – Prelude to a Kiss | ||
| BEST ACTOR IN A CAMEO ROLE | Michaela Smith – Moonlight and Magnolias | ||
| BEST SET DESIGN | Vicki Smith – The Heiress | ||
| BEST SOUND DESIGN | Vicki Smith – The Heiress | ||
| BEST LIGHTING DESIGN | Gordon Boyd – The Heiress | ||
| BEST COSTUMES | Christine Bridge & Sheila Balis – The Heiress | ||
| STAGE MANAGEMENT AWARD | Sheila Balis – Life and Beth | ||
| ADJUDICATOR’S AWARDS | Georgia Gertner – Artwork design – Prelude to a Kiss | ||
| Connie Bram – Stage management – Prelude to a Kiss | |||
| Ensemble and good use of business – Moonlight and Magnolias | |||
| Stephen Shinkfield/Adrian Gertler/Shane Ryan/Michaela Smith | |||
| PRESIDENT’S AWARD | Don Butler – for his contribution to ‘Dad’s Army | ||
| GRAHAM HUNTER AWARD | Stevan Trevan – for services to set construction and liaison | ||
| with Council | |||
| 2013 | |||
| BEST PRODUCTION | The Grand Manner | ||
| BEST DIRECTOR | Judy Corderoy – The Grand Manner | ||
| BEST ACTRESS | Melanie Rowe – Lost in Yonkers | ||
| BEST ACTOR | Connor McRae – The Grand Manner | ||
| BEST SUPPORTING ACTRESS | Cheryl Richards – The Grand Manner | ||
| BEST SUPPORTING ACTRESS | Janine Evans – Lost in Yonkers | ||
| BEST SUPPORTING ACTOR | Neil Barnett – Night Must Fall | ||
| BEST ACTOR IN A CAMEO ROLE | Sheila Balis – Night Must Fall | ||
| BEST SET DESIGN | Martin Gibbs – Night Must Fall | ||
| BEST SOUND DESIGN | Tim Long/Nicholas Gertner – Albert Nobbs | ||
| BEST LIGHTING DESIGN | Brian McCallum – The Dixie Swim Club | ||
| BEST COSTUMES | Marie Skitt – The Grand Manner | ||
| STAGE MANAGEMENT AWARD | David Dodd – The Dixie Swim Club | ||
| ADJUDICATOR’S AWARDS | Encouragement award to Kirsten Page – Night Must Fall | ||
| Encouragement award to Luke Burgess – Lost in Yonkers | |||
| GRAHAM MOORE AWARD | Steve Trevan – for New York skyline in The Grand Manner | ||
| PRESIDENT’S AWARD | Mavis Dubbin – for contribution as Ticket Secretary | ||
| GRAHAM HUNTER AWARD | Juliet Hayday – for outstanding work and commitment to the | ||
| company | |||
| 2014 | |||
| BEST PRODUCTION | Bullshot Crummond | ||
| BEST DIRECTOR | Jeff Saliba – Bullshot Crummond | ||
| BEST ACTRESS | Linda Morgan – Talking Heads | ||
| BEST ACTOR | Tie: Stephen Shinkfield – Bullshot Crummond & Matthew | ||
| Allen – Talking Heads | |||
| BEST SUPPORTING ACTRESS | Heli Simpson – Loot | ||
| BEST SUPPORTING ACTOR | James Antonas – Bullshot Crummond | ||
| BEST ACTOR IN A CAMEO ROLE | Geoff Arnold – That Good Night | ||
| BEST SET DESIGN | Neil Barnett – That Good Night | ||
| BEST SOUND DESIGN | Tim Long & Eric Heyes – Quartet | ||
| BEST SOUND OPERATOR | Nicholas Gertner – Quartet | ||
| BEST LIGHTING DESIGN | Danny Issko – Loot | ||
| BEST LIGHTING OPERATOR | Corinne Gibbs – Loot | ||
| BEST COSTUMES | Christine Bridge/Sheila Balis/Juliet Hayday/Vicki Smith – Bullshot Crummond | ||
| STAGE MANAGEMENT AWARD | Connie Bram/Juliet Hayday/Geoff Arnold/John Murphy – Bullshot Crummond | ||
| ADJUDICATOR’S AWARDS | Connor & Allan McRae for the music in Talking Heads | ||
| Geoff Arnold as Production Coordinator for Bullshot Crummond | |||
| Melissa New for her characterisation of Rosemary Fenton in Bullshot Crummond | |||
| Gaetano Santo for his comic timing in Bullshot Crummond | |||
| GRAHAM MOORE AWARD | Marie Skitt/Jill Rendall/Cat Taylor for the streetscape in Talking Heads | ||
| PRESIDENT’S AWARD | Robyn McRae for contribution to FOH | ||
| GRAHAM HUNTER AWARD | Martin Gibbs for outstanding commitment to the company | ||
| 2015 | |||
| BEST PRODUCTION | A Month of Sundays | ||
| BEST DIRECTOR | Martin Gibbs – A Month of Sundays | ||
| BEST ACTRESS | Claire Benne – See How They Run / Audrey Farthing – Hotel Sorrento | ||
| BEST ACTOR | Eric Heyes – A Month of Sundays | ||
| BEST SUPPORTING ACTRESS | Juliet Hayday – Hotel Sorrento | ||
| BEST SUPPORTING ACTOR | Laurie Jezzard – See How They Run | ||
| BEST ACTOR IN A MINOR ROLE | Paris Romanis – A Month of Sundays | ||
| BEST ACTRESS IN A MINOR ROLE | Philippa Bain – A Month of Sundays | ||
| BEST SET DESIGN | Martin Gibbs – See How They Run | ||
| BEST SOUND DESIGN | Tim Long – See How They Run | ||
| BEST SOUND OPERATOR | Nicholas Gertner – See How They Run | ||
| BEST LIGHTING DESIGN | Matthew Wagstaff – A Month of Sundays | ||
| BEST LIGHTING OPERATOR | Nicholas Gertner – Hotel Sorrento | ||
| BEST COSTUMES | Juliet Hayday – See How They Run | ||
| STAGE MANAGEMENT AWARD | Connie Bram/Barbara Crawford/Kirsten Page – 84 Charing Cross Road | ||
| ADJUDICATOR’S AWARDS | Janine Evans – Maxine/Mrs Todd – 84 Charing Cross Road | ||
| Asja Sarajlic – Ida – See How They Run | |||
| Tim Long – Effective sound and music in See How They Run | |||
| Gaetano Santo for his comic timing in Bullshot Crummond | |||
| PRESIDENT’S AWARD | Robyn McRae for contribution to Hotel Sorrento | ||
| GRAHAM HUNTER AWARD | Dad’s Army for their efforts in relocation to the new lockup | ||
Mordialloc Theatre Company 